He explained to Q magazine: 'Before the asteroid would kill you, you could press hyperspace and go somewhere else. As well as the red vinyl listed in the widget below, Rough Trade uk also have a special metallic silver vinyl edition (there’s no red vinyl in the USA). Hyperspace is a minimalist album named after a move in the video game Defender, which Beck played as a youngster. Hyperspace will be released on 22 November 2019. Good to see some excellent cover art – for a change – on a new album! You can preview Uneventful Days above to get a feeling for the new sound of Hyperspace. (Jason and Roger being half of the original Jellyfish line-up) feature on much of the album as well. Longtime Beck bandmates Jason Falkner, Smokey Hormel and Roger Manning Jr. Chris Martin and Sky Ferreira contribute backing vocals on a track apiece (‘Star’ and ‘Die Waiting’ respectively) and Greg Kurstin gets a writing credit on See Through, suggesting it dates from the Colors sessions. Hyperspace is Beck’s 14th album (he still hasn’t issued any kind of ‘best of’) and he has co-produced much of the record with Pharrell Williams (who has also co-written some tracks). Still I’ll try/To get back home,” Beck promises like a man with one foot in the grave but the other still on the road to another day.Beck follows up 2017’s brilliant Colors with a new album Hyperspace, due in November. It’s a finale of echo and choir but a blues all the same. In “Everlasting Nothing,” Beck is back in space with Williams. “Die Waiting” is starlit folk rock with a campfire-siren cameo by Sky Ferreira, and “Stratosphere” (featuring Coldplay’s Chris Martin) is practically garage rock: rough strumming in a plaintive glow. The keyboards in “Chemical” may sound like they’re on loan from Vangelis, but the acoustic jangle and finger-snap percussion bring the song to Earth. But Beck, for all of his vigor for partnership, is a solitary classicist, a singer-songwriter wrestling with the dynamics of desire and emotional commitment. Adele veteran Paul Epworth and producer Cole M.G.N., who worked on the Colors hit “Wow,” chip in too. Kurstin returns for “See Through” (with weirdly playful vocal choreography suggesting a boy band trapped underwater). The hip-hop auteur plays the totally Eighties synth sounds that frame the fleeting satisfaction in “Chemical” (“Found a love, just a fantasy/Beautiful and ugly as a night could be”), and it’s a good bet that Williams is responsible for the otherworldly gauze on Beck’s voice in “Uneventful Days,” which is like David Bowie’s Major Tom checking in from distant orbit.īeck spreads the work around. Williams is just as embedded on Hyperspace as co-producer, co-writer, and musician on seven tracks. He shared writing credits on Odelay with the Dust Brothers, his co-producers, and on 2017’s Colors with multi-instrumentalist Greg Kurstin. He stated that he had a few things after concluding the. It could lean into folk, like 2014’s Grammy Award-winning Morning Phase it might skew pop, like 2017’s Colors it could go back to the lo-fi Mellow Gold beginnings that brought us Loser in 1994. While Beck started as a lone ranger on the anti-folk circuit, his records are typically collaborative affairs. Hyperspace was first teased by Beck in a cryptic Instagram post where he uploaded the album cover featuring the title in katakana. Listeners never quite know what they’re going to get with a new Beck album. In songs like “Die Waiting” and “Dark Places” (the titles tell you plenty), Beck combines the exuberant studio mischief of 1996’s Midnite Vultures with the sumptuous introspection of 2002’s Sea Change to eccentric, genuinely compelling effect. ![]() But that seesaw of antique blues and modern artifice sums up this album’s perfect storm - the raw fear of time running out and darkness closing in, rendered in pop beats and colors. Pharrell Williams, Beck’s chief accomplice on Hyperspace, drums in martial-funk time and speed raps like a digital assistant in a rush. Beck sings of great fire and flooding, praying for rescue in a strident android’s tone - like Skip James in Auto-Tune - and overdubbed layers of galactic doo-wop. ![]() Most of the song’s apocalypse comes in contemporary kicks. That is the Beck who jumps out here in “Saw Lightning,” in looping spasms of acoustic, skidding Delta slide guitar. This visual album, hosted on Beck’s website, features images curated and processed through artificial intelligence. This new release features a visual component created in collaboration with NASA and the Jet Propulsion Laboratory. Somewhere inside every album Beck has made since Mellow Gold - his 1994 surprise attack of slippery irony and hip-hop bravado - is the solo folk-blues singer caught on that year’s One Foot in the Grave, writing about despair with a surrealist edge while turned toward hope. 12, Beck released a new version of his 2019 album, Hyperspace.
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